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Artwork of the Week

Artwork of the Week: 'A Corner Window in a Pawn Shop' By Rose Hartwell

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Rose Hartwell (1861- 1917), 'A Corner Window in a Pawn Shop,' 1893, oil on canvas, 34 1/8 x 28 3/16 inches. Brigham Young University Museum of Art, 1941.

Rose Hartwell’s painting of a pawn shop might bring to mind thrifting, vintage objects, and searching for that special something. Yet pawn shops also attest to acts of financial desperation. This depiction of a pawn shop corner window includes valuables like a traditional Chinese cash coin, cowrie and spiral seashells, a Grecian-style vase, and gold and silver jewelry intermingled with open pocket watches.

In the U.S., the Panic of 1893 created major economic distress and financial turmoil that would have forced many to turn to pawn shops. Pawn shops offered cash loans while holding onto valuable objects as collateral. However, failure to repay meant forfeiting their collateral to the pawnbroker. The hope was to repay the loan and return for their belongings. But failure to repay meant their valuables could be sold, as seen here with the price tags attached to objects in this corner window.

This work is currently on view in Crossing the Divide: American Art from the Permanent Collection.

Past Artworks of the Week

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Artwork of the Week: 'Waiting' By Rose Hartwell

April 20, 2026
This painting’s enigmatic title is a perfect fit for its intriguing subject, where an unknown woman dressed in black sits with her hands in her lap, her eyes seemingly focused on nothing. What is she waiting for? Perhaps she waits for a family member or friend to pay her a visit. Given the woman’s attire and the painting’s somber tone, whether knowingly or not, she also seems to be waiting for death. We will likely never know what Rose Hartwell intended this painting to mean, so we too are left waiting to know this woman’s story.
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Artwork of the Week: 'French Landscape Near Paris' By John Henri Moser

April 13, 2026
Painted while Moser was studying art in Paris, this painting lacks the bold color and loose brushwork that came to dominate the artist’s style when he returned to Utah. In Paris, he was surrounded not only by academic tradition, but by modern art’s many new aesthetic possibilities. Judging from his mature style, he was observing much during this time, even though his own output remained relatively conservative. This painting, and others of the time, show the influence of the Barbizon School of landscape painting, an influential nineteenth-century movement that emphasized painting outdoors.
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Artwork of the Week: 'Collonade of Lights' By Max Thalmann

April 06, 2026
Thalmann evokes the notion of communion in a series of prints of worshippers within dramatic cathedral interiors. His strong lines and contrast of deep pools of shadow with bold spaces of radiant light conveys the reverence and anticipatory sublime of a worship experience. The cathedral, with its Gothic-style archways, and hooded bowed forms moving silently, exude a timeless quality of devotion, where man—insignificant compared to the vast reaches of the cathedral space—is brought to feel the immensity of the divine.
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