Artwork of the Week
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'Bread-Lexington Avenue Series #1' by Gerald Griffin
Artwork of the Week: July 20
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Artwork of the Week: 'Bouquet' By Flora Fisher
Flora Davis Fisher, of Provo, studied art at Brigham Young University, particularly focusing on watercolor and oil painting. Fisher became known for her color-filled landscapes and flower paintings, such as Bouquet.
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Artwork of the Week: 'Abstract in Pink' By Mari Lyons
Mari Lyons, a contemporary artist whose career spanned over 40 years, often used vibrant colors to bring her paintings to life. As her work captured the active beauty of the world around us, she invites the viewer to appreciate the joy that blooms from life’s quiet and ordinary routines.
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Artwork of the Week: 'An Autumn Stroll' By J. Alden Weir
In J. Alden Weir’s An Autumn Stroll, a woman and child share a quiet moment in the cool autumn light. As they pause for a shared moment under a tree, they gaze outward—their calm,contemplative expressions detailing their experience and allowing viewers to feel welcome in theirspace. Based on Weir’s own daughter Dorothy and her stepmother, the artist uses this painting toprovide viewers a glimpse into the relationship between this mother and child, capturing both familiarity and tenderness. As they stand together, connected, they represent the relationships that many may have with their own parents or loved ones.
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Artwork of the Week: 'Round Dance' By Maynard Dixon
Dixon loved and respected the indigenous people who often appeared in his paintings. He was inspired by their physical resilience as well as by the spiritual knowledge he believed that they drew from their relationship with the land. At times, they invited him to witness some of their sacred ceremonies, and he believed his role as an artist put him in a unique position to explore these sacred rites. Dixon allowed his imagination to edit and augment the things he saw when visiting with the Hopi and Navajo peoples and acknowledged that others might not see this world as he was presenting it.
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Artwork of the Week: 'Waiting' By Rose Hartwell
This painting’s enigmatic title is a perfect fit for its intriguing subject, where an unknown woman dressed in black sits with her hands in her lap, her eyes seemingly focused on nothing. What is she waiting for? Perhaps she waits for a family member or friend to pay her a visit. Given the woman’s attire and the painting’s somber tone, whether knowingly or not, she also seems to be waiting for death. We will likely never know what Rose Hartwell intended this painting to mean, so we too are left waiting to know this woman’s story.
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Artwork of the Week: 'French Landscape Near Paris' By John Henri Moser
Painted while Moser was studying art in Paris, this painting lacks the bold color and loose brushwork that came to dominate the artist’s style when he returned to Utah. In Paris, he was surrounded not only by academic tradition, but by modern art’s many new aesthetic possibilities. Judging from his mature style, he was observing much during this time, even though his own output remained relatively conservative. This painting, and others of the time, show the influence of the Barbizon School of landscape painting, an influential nineteenth-century movement that emphasized painting outdoors.
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