REMBRANDT ETCHING HIGHLIGHTS
Few artists captured the emotion and psychology of his subjects as Rembrandt van Rijn (1606-1669). One of the great religious artists in western history, Rembrandt used the distinct techniques of the etching medium to bring new relevance and accessibility to revered sacred themes as well as the images of daily life.
Many of these prints are on display twice a year in the MOA's Print Study Room Open Viewing activities. See this semester's schedule here.
The Stoning of St. Stephen
Rembrandt Harmenszoon van Rijn (1606-1669), 'The Stoning of St. Stephen,' 1635, etching, 3 13/16 x 3 3/8 inches. Brigham Young University Museum of Art, gift of Ronald and Eileen Ragsdale, 2020.
Goldsmith, The (II/II)
Rembrandt (1606-1669) “Goldsmith, The (II/II),” 1655, etching and drypoint, 3 x 3 inches. Brigham Young University Museum of Art, purchase/gift from Mahonri M. Young Estate, 1959.
Christ at Emmaus (Large Plate) (III/III)
Rembrandt (1606-1669), “Christ at Emmaus (Large Plate) (III/III),” 1654, etching, drypoint, and burin, 8 3/8 x 6 5/16 inches. Brigham Young University Museum of Art, purchase/gift of Mahonri M. Young Estate, 1959.
The Raising of Lazarus: Small Plate (I/II)
Rembrandt (1606-1669), “The Raising of Lazarus: Small Plate (I/II),” 1642, etching, 6 x 4 1/2 inches. Brigham Young University Museum of Art, purchase/gift of Mahonri M. Young Estate, 1959.
The Raising of Lazarus: Large Plate (XIII/XIII)
Rembrandt (1606-1669), “The Raising of Lazarus: Large Plate (XIII/XIII),” c.1632, etching and burin, 14 5/8 x 10 3/16 inches. Brigham Young University Museum of Art, purchase/gift of Mahonri M. Young Estate, 1959.
The Flight into Egypt: Crossing a Brook (I/I)
Rembrandt (1606-1669), “The Flight into Egypt: Crossing a Brook (I/I),” 1654, etching and drypoint, 3 7/8 x 5 13/16 inches. Brigham Young University Museum of Art, purchase/gift of Mahonri M. Young Estate, 1959.
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Rembrandt Harmenszoon Van Rijn (1606-1669), 'The Rest on the Flight Into Egypt,' mid 19th century, etching, Brigham Young University Museum of Art, gift of Ronald and Eileen Ragsdale, 2021.
The Pancake Woman
Rembrandt (1606-1669), “The Pancake Woman,” 1635, etching, 4 1/8 x 3 1/8 inches. Brigham Young University Museum of Art, gift from the Julie M. Malouf Estate, Dallas, Texas, 2013.
St. Jerome Praying, Looking Down
Rembrandt (1606-1669), “St. Jerome Praying, Looking Down,” 1635, etching, 4 1/2 x 3 3/16 inches. Brigham Young University Museum of Art, gift from the Julie M. Malouf Estate, Dallas, Texas, 2013.
The Virgin and Child with the Cat and Snake (II/II)
Rembrandt (1606-1669), “The Virgin and Child with the Cat and Snake (II/II),” 1654, etching and burin, 3 15/16 x 5 13/16 inches. Brigham Young University Museum of Art, purchase/gift from Mahonri M. Young Estate, 1959.
The Descent From the Cross by Torchlight (I/I)
Rembrandt (1606-1669), “The Descent From the Cross by Torchlight (I/I),” 1654, etching and drypoint, 8 5/16 x 6 3/8 inches. Brigham Young University Museum of Art, purchase/gift of Mahonri M. Young Estate, 1959.
Christ Preaching (‘La Petite Tombe’)
Christopher D. KrauseRembrandt (1606-1669), “Christ Preaching (‘La Petite Tombe’),” 1652, etching and drypoint, 6 3/16 x 8 3/16 inches. Brigham Young University Museum of Art, purchase/gift of Mahonri M. Young Estate, 1959.
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Rembrandt van Rijn (1606-1669), 'Student at a Table by Candlelight,' c.1642, etching, 5 ¾ x 5 5/16 inches. Courtesy of anonymous Lender.
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Rembrandt (1606-1669) 'Landscape With A Cow Drinking (II/II),' c.1650, etching and drypoint, 4 1/16 x 5 1/8 inches. Brigham Young University Museum of Art, purchase/gift from Mahonri M. Young Estate, 1959.
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