Few artists captured the emotion and psychology of his subjects as Rembrandt van Rijn (1606-1669). One of the great religious artists in western history, Rembrandt used the distinct techniques of the etching medium to bring new relevance and accessibility to revered sacred themes as well as the images of daily life.

Rembrandt (1606-1669), “The Raising of Lazarus: Large Plate (XIII/XIII),” c.1632, etching and burin, 14 5/8 x 10 3/16 inches. Brigham Young University Museum of Art, purchase/gift of Mahonri M. Young Estate, 1959.
Rembrandt (1606-1669), “The Raising of Lazarus: Large Plate (XIII/XIII),” c.1632, etching and burin, 14 5/8 x 10 3/16 inches. Brigham Young University Museum of Art, purchase/gift of Mahonri M. Young Estate, 1959.
Rembrandt (1606-1669), “The Flight into Egypt: Crossing a Brook (I/I),” 1654, etching and drypoint, 3 7/8 x 5 13/16 inches. Brigham Young University Museum of Art, purchase/gift of Mahonri M. Young Estate, 1959.
Rembrandt (1606-1669), “The Flight into Egypt: Crossing a Brook (I/I),” 1654, etching and drypoint, 3 7/8 x 5 13/16 inches. Brigham Young University Museum of Art, purchase/gift of Mahonri M. Young Estate, 1959.
Rembrandt (1606-1669), “The Raising of Lazarus: Small Plate (I/II),” 1642, etching, 6 x 4 1/2 inches. Brigham Young University Museum of Art, purchase/gift of Mahonri M. Young Estate, 1959.
Rembrandt (1606-1669), “The Raising of Lazarus: Small Plate (I/II),” 1642, etching, 6 x 4 1/2 inches. Brigham Young University Museum of Art, purchase/gift of Mahonri M. Young Estate, 1959.
Rembrandt (1606-1669), “The Descent From the Cross by Torchlight (I/I),” 1654, etching and drypoint, 8 5/16 x 6 3/8 inches. Brigham Young University Museum of Art, purchase/gift of Mahonri M. Young Estate, 1959.
Rembrandt (1606-1669), “The Descent From the Cross by Torchlight (I/I),” 1654, etching and drypoint, 8 5/16 x 6 3/8 inches. Brigham Young University Museum of Art, purchase/gift of Mahonri M. Young Estate, 1959.
Rembrandt (1606-1669), “Christ at Emmaus (Large Plate) (III/III),” 1654, etching, drypoint, and burin, 8 3/8 x 6 5/16 inches. Brigham Young University Museum of Art, purchase/gift of Mahonri M. Young Estate, 1959.
Rembrandt (1606-1669), “Christ at Emmaus (Large Plate) (III/III),” 1654, etching, drypoint, and burin, 8 3/8 x 6 5/16 inches. Brigham Young University Museum of Art, purchase/gift of Mahonri M. Young Estate, 1959.
Rembrandt (1606-1669), “Christ Preaching (‘La Petite Tombe’),” 1652, etching and drypoint, 6 3/16 x 8 3/16 inches. Brigham Young University Museum of Art, purchase/gift of Mahonri M. Young Estate, 1959.
Rembrandt (1606-1669), “Christ Preaching ('La Petite Tombe'),” 1652, etching and drypoint, 6 3/16 x 8 3/16 inches. Brigham Young University Museum of Art, purchase/gift of Mahonri M. Young Estate, 1959.
Rembrandt (1606-1669), “The Virgin and Child with the Cat and Snake (II/II),” 1654, etching and burin, 3 15/16 x 5 13/16 inches. Brigham Young University Museum of Art, purchase/gift from Mahonri M. Young Estate, 1959.
Rembrandt (1606-1669), “The Virgin and Child with the Cat and Snake (II/II),” 1654, etching and burin, 3 15/16 x 5 13/16 inches. Brigham Young University Museum of Art, purchase/gift from Mahonri M. Young Estate, 1959.
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Rembrandt (1606-1669) “Landscape With A Cow Drinking (II/II),” c.1650, etching and drypoint, 4 1/16 x 5 1/8 inches. Brigham Young University Museum of Art, purchase/gift from Mahonri M. Young Estate, 1959.
Rembrandt (1606-1669) “Goldsmith, The (II/II),” 1655, etching and drypoint, 3 x 3 inches. Brigham Young University Museum of Art, purchase/gift from Mahonri M. Young Estate, 1959.
Rembrandt (1606-1669) “Goldsmith, The (II/II),” 1655, etching and drypoint, 3 x 3 inches. Brigham Young University Museum of Art, purchase/gift from Mahonri M. Young Estate, 1959.
Rembrandt (1606-1669), “St. Jerome Praying, Looking Down,” 1635, etching, 4 1/2 x 3 3/16 inches. Brigham Young University Museum of Art, gift from the Julie M. Malouf Estate, Dallas, Texas, 2013.
Rembrandt (1606-1669), “St. Jerome Praying, Looking Down,” 1635, etching, 4 1/2 x 3 3/16 inches. Brigham Young University Museum of Art, gift from the Julie M. Malouf Estate, Dallas, Texas, 2013.
Rembrandt (1606-1669), “The Pancake Woman,” 1635, etching, 4 1/8 x 3 1/8 inches. Brigham Young University Museum of Art, gift from the Julie M. Malouf Estate, Dallas, Texas, 2013.
Rembrandt (1606-1669), “The Pancake Woman,” 1635, etching, 4 1/8 x 3 1/8 inches. Brigham Young University Museum of Art, gift from the Julie M. Malouf Estate, Dallas, Texas, 2013.

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