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Artwork of the Week

'After the Fire' by Charles S. Chapman

Artwork of the Week: August 26, 2024

A painting of burned trees in a mountain landscape
Charles S. Chapman (1879-1962), 'After the Fire,' no date, oil on metal, 16 x 21 inches. Brigham Young University Museum of Art.

Blackened trees smolder in the aftermath of a wildfire, charred remnants on a mountaintop. During Charles S. Chapman’s lifetime, unusually massive wildfires destroyed millions of acres in 1898 (North and South Carolina), 1903 and 1908 (Adirondacks), 1910 (Montana, Idaho, and Washington State), and more. While lightning and drought can naturally spark and spread a wildfire, many wildfires also have human origins, such as arson, accident, and industrial negligence.

Placing the viewer on a mountain, this work offers less a sweeping vista of a landscape than a view of our relationship to—and potential complicity in—a devastating blaze.

This work will be on view in the upcoming exhibition, Crossing the Divide: American Art from the Permanent Collection, opening on September 20, 2024.

Past Artworks of the Week

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Artwork of the Week: 'A Corner Window in a Pawn Shop' By Rose Hartwell

March 30, 2026
Rose Hartwell’s painting of a pawn shop might bring to mind thrifting, vintage objects, and searching for that special something. Yet pawn shops also attest to acts of financial desperation. This depiction of a pawn shop corner window includes valuables like a traditional Chinese cash coin, cowrie and spiral seashells, a Grecian-style vase, and gold and silver jewelry intermingled with open pocket watches.
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Artwork of the Week: 'Clouds, Mountain and a Lake' By Vance Kirkland

March 23, 2026
In 'Clouds, Mountains and a Lake', shifting hues of greens, purples, and blues evoke the iridescence of mother of pearl. Rolling hills in the foreground give way to steep, towering mountains that dominate the sky, sharp peaks cutting through the wispy clouds. Below, a lake reflects the mountains across the dark mirror of its placid surface. In the heart of the painting, a black void looms, creating an ominous, enigmatic presence. Such elements create a landscape that appears both familiar and strange—an inscrutable, eerie terrain that invites yet challenges viewers.
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Artwork of the Week: 'Volcanic Cones' (Boulder Nevada) By Maynard Dixon

March 16, 2026
During his time in Nevada in the 1930s, Maynard Dixon turned his attention to the geological formations of the American Southwest. Overlooking the desert, a steep, rocky cone dominates the scene. Shadows span the foreground, creating stark contrasts throughout that draw attention to the white channels and harder red stones tumbling down from the peak. Across a flat expanse and along the distant horizon, a range of mountains stretches against a blue sky, white clouds resting just behind them. This painting captures a specific time of day in 1934 yet reveals millions of years of geological history and change.
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