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Artwork of the Week

'After the Fire' by Charles S. Chapman

Artwork of the Week: August 26, 2024

A painting of burned trees in a mountain landscape
Charles S. Chapman (1879-1962), 'After the Fire,' no date, oil on metal, 16 x 21 inches. Brigham Young University Museum of Art.

Blackened trees smolder in the aftermath of a wildfire, charred remnants on a mountaintop. During Charles S. Chapman’s lifetime, unusually massive wildfires destroyed millions of acres in 1898 (North and South Carolina), 1903 and 1908 (Adirondacks), 1910 (Montana, Idaho, and Washington State), and more. While lightning and drought can naturally spark and spread a wildfire, many wildfires also have human origins, such as arson, accident, and industrial negligence.

Placing the viewer on a mountain, this work offers less a sweeping vista of a landscape than a view of our relationship to—and potential complicity in—a devastating blaze.

This work will be on view in the upcoming exhibition, Crossing the Divide: American Art from the Permanent Collection, opening on September 20, 2024.

Past Artworks of the Week

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Artwork of the Week: 'Waiting' By Rose Hartwell

April 20, 2026
This painting’s enigmatic title is a perfect fit for its intriguing subject, where an unknown woman dressed in black sits with her hands in her lap, her eyes seemingly focused on nothing. What is she waiting for? Perhaps she waits for a family member or friend to pay her a visit. Given the woman’s attire and the painting’s somber tone, whether knowingly or not, she also seems to be waiting for death. We will likely never know what Rose Hartwell intended this painting to mean, so we too are left waiting to know this woman’s story.
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Artwork of the Week: 'French Landscape Near Paris' By John Henri Moser

April 13, 2026
Painted while Moser was studying art in Paris, this painting lacks the bold color and loose brushwork that came to dominate the artist’s style when he returned to Utah. In Paris, he was surrounded not only by academic tradition, but by modern art’s many new aesthetic possibilities. Judging from his mature style, he was observing much during this time, even though his own output remained relatively conservative. This painting, and others of the time, show the influence of the Barbizon School of landscape painting, an influential nineteenth-century movement that emphasized painting outdoors.
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Artwork of the Week: 'Collonade of Lights' By Max Thalmann

April 06, 2026
Thalmann evokes the notion of communion in a series of prints of worshippers within dramatic cathedral interiors. His strong lines and contrast of deep pools of shadow with bold spaces of radiant light conveys the reverence and anticipatory sublime of a worship experience. The cathedral, with its Gothic-style archways, and hooded bowed forms moving silently, exude a timeless quality of devotion, where man—insignificant compared to the vast reaches of the cathedral space—is brought to feel the immensity of the divine.
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