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Artwork of the Week

Artwork of the Week: May 22, 2023

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Bruce H. Smith (b. 1936), 'Bait,' 2011, oil on canvas, 51 x 57 inches. Brigham Young University, purchased with funds provided by Lewis and Gail Burnham, 2011. Courtesy of the artist.

Jesus, whilst confronted with a murderous horde prepared to execute a woman “taken in the very act of adultery,” chose to not respond to the mob’s shouted confrontations and demands for capital punishment. Instead, the Lord remained thoughtful, somber, and ultimately articulate as he subtly and silently communicated to the venomous bystanders by inscribing His commentary/invocation in the sand. While the Evangelists did not transcribe Jesus notations, His followers knew and know that he was and is the Lawgiver that carved The Law on stone tables of Mount Sinai, followed by revealed minutia that allowed subsequent prophets to continually interpret the Law. This Jesus--this Jehovah--who organized the very dust of His earth, came as the mortal personification of all the prophets and their inspired utterances and all the explanatory records thereof.

The title Bait surely suggests that the woman “taken” was primarily to capture the Savior in his radical transcendent ministry. Bruce Smith establishes a warp and weft of gesturing accusations. Smith’s Jesus found it easy to forgive. While the accusers all remain standing while accusing the woman, only Jesus kneels in empathy and proximity to her suffering. The most pronounced accusation amongst the mob is the crouched man shouting and pointing at the Savior. Jesus neutralized the hostility within the mob by inviting the purest to cast the first stone. Suddenly, only Jesus remained. No one felt capable of casting the first stone—perhaps because of the way that Jesus had shown the accusers to be flawed and hypocritical.

Past Artworks of the Week

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Artwork of the Week: Louis Comfort Tiffany

April 22, 2024
This informal portrait of Louis Comfort Tiffany, President of Tiffany Studios and the son of the founder of Tiffany & Co., reflects both the artist’s skill at depicting light, and the attitudes of the wealthy in early twentieth-century America.
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Artwork of the Week: Right to the Jaw

April 15, 2024
Mahonri Mackintosh Young, the grandson of President Brigham Young, was born in Salt Lake City, Utah in 1877. Throughout his career, he created more than 320 sculptures
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Artwork of the Week: Christ Preaching (La Petite Tombe)

April 08, 2024
Rembrandt Van Rijn, born in 1606, remains one of the most significant artists of the Dutch Golden Age, celebrated for his depictions of the emotional and spiritual states of the human soul.
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