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Artwork of the Week

'Desert Grandeur' by Mabel Pearl Fraser

Artwork of the Week: December 2

DESERT GRANDEUR
Mabel Pearl Frazer (1887-1982), 'Desert Grandeur,' C. 1940. Oil on Canvas, 36 1/2 x 53 Inches. Brigham Young University Museum of Art, 1984.

Painted one year after the conclusion of the Great Depression, Mabel Pearl Frazer’s Desert Grandeur utilizes a soft pastel color scheme to celebrate the quintessential Western American environment. Cool strokes of blue and pink highlight the distant mountain range in the background, while closer, warm peaks appear lower on the horizon. A sea of light green shrubs populates the foreground, leading viewer’s eyes to flow into the distance, emphasizing the vastness of the desert landscape. Likely a view of Grand Staircase National Monument from a distant vantage point in the Kaibab National Forest in Arizona, this painting demonstrates Mabel Frazer’s connection to southwestern American scenery.

Throughout her 94 years of life, Frazer integrated aspects of her cultural identity into her artwork. A homegrown Utahn, she was born and raised in Beaver, a town in the southwest region of the state. Frazer was an advocate for art education and taught at the University of Utah for over 30 years across a variety of media and subjects, including textile design, landscape painting, art history, sculpture, and anatomy. Over a lifetime, Mabel Frazer dedicated her artistry to characterize and romanticize the lands of America’s southwest.

This piece can be viewed in the MOA’s newest exhibition Crossing the Divide: American Art from the Permanent Collection.

Past Artworks of the Week

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Artwork of the Week: 'Waiting' By Rose Hartwell

April 20, 2026
This painting’s enigmatic title is a perfect fit for its intriguing subject, where an unknown woman dressed in black sits with her hands in her lap, her eyes seemingly focused on nothing. What is she waiting for? Perhaps she waits for a family member or friend to pay her a visit. Given the woman’s attire and the painting’s somber tone, whether knowingly or not, she also seems to be waiting for death. We will likely never know what Rose Hartwell intended this painting to mean, so we too are left waiting to know this woman’s story.
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Artwork of the Week: 'French Landscape Near Paris' By John Henri Moser

April 13, 2026
Painted while Moser was studying art in Paris, this painting lacks the bold color and loose brushwork that came to dominate the artist’s style when he returned to Utah. In Paris, he was surrounded not only by academic tradition, but by modern art’s many new aesthetic possibilities. Judging from his mature style, he was observing much during this time, even though his own output remained relatively conservative. This painting, and others of the time, show the influence of the Barbizon School of landscape painting, an influential nineteenth-century movement that emphasized painting outdoors.
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Artwork of the Week: 'Collonade of Lights' By Max Thalmann

April 06, 2026
Thalmann evokes the notion of communion in a series of prints of worshippers within dramatic cathedral interiors. His strong lines and contrast of deep pools of shadow with bold spaces of radiant light conveys the reverence and anticipatory sublime of a worship experience. The cathedral, with its Gothic-style archways, and hooded bowed forms moving silently, exude a timeless quality of devotion, where man—insignificant compared to the vast reaches of the cathedral space—is brought to feel the immensity of the divine.
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