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Artwork of the Week

'Great White Throne' by Phillip Henry Barkdull

Artwork of the Week: June 24, 2024

GREAT WHITE THRONE
Phillip Henry Barkdull (1888-1968), 'Great White Throne,' 1930, oil on canvas, 41 3/8 x 33 1/2 inches. Brigham Young University Museum of Art, gift of Mrs. Phillip H. Barkdull, 1968.

Phillip Henry Barkdull spent his career immersed in art, primarily as an art instructor and supervisor (including a year at BYU). However, between an emphasis on teaching and lifelong poor health, only a few years were prolific for Barkdull as an artist. The painting above comes from those most creative years: Great White Throne depicts the monolith of the same name, which rises nearly 2400 feet above the canyon floor at Zion National Park. Though the rockface is titled for its light grayish white color, Phillip Henry Barkdull projects warm reds and oranges onto the cliff wall, colors frequently found in Southern Utah’s landscape. These same glowing colors are reflected in the river, but the warmth is lost in the cold water, shaded by the formidable geological structure. Barkdull not only depicts an impressive scene, but manages to capture the desert’s familiar dry climate. Here, where the reds and oranges dominate the scene, there is still a calmness conveyed through the cool tones poking out from behind the clouds, and the stillness in the river. Great White Throne continues to make its mark today as a site for experienced climbers who, like Barkdull, have found inspiration on its face.

This painting will be on view in our upcoming exhibition Crossing the Divide: American Art from the Permanent Collection, which opens September 20, 2024.

Past Artworks of the Week

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Artwork of the Week: 'Waiting' By Rose Hartwell

April 20, 2026
This painting’s enigmatic title is a perfect fit for its intriguing subject, where an unknown woman dressed in black sits with her hands in her lap, her eyes seemingly focused on nothing. What is she waiting for? Perhaps she waits for a family member or friend to pay her a visit. Given the woman’s attire and the painting’s somber tone, whether knowingly or not, she also seems to be waiting for death. We will likely never know what Rose Hartwell intended this painting to mean, so we too are left waiting to know this woman’s story.
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Artwork of the Week: 'French Landscape Near Paris' By John Henri Moser

April 13, 2026
Painted while Moser was studying art in Paris, this painting lacks the bold color and loose brushwork that came to dominate the artist’s style when he returned to Utah. In Paris, he was surrounded not only by academic tradition, but by modern art’s many new aesthetic possibilities. Judging from his mature style, he was observing much during this time, even though his own output remained relatively conservative. This painting, and others of the time, show the influence of the Barbizon School of landscape painting, an influential nineteenth-century movement that emphasized painting outdoors.
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Artwork of the Week: 'Collonade of Lights' By Max Thalmann

April 06, 2026
Thalmann evokes the notion of communion in a series of prints of worshippers within dramatic cathedral interiors. His strong lines and contrast of deep pools of shadow with bold spaces of radiant light conveys the reverence and anticipatory sublime of a worship experience. The cathedral, with its Gothic-style archways, and hooded bowed forms moving silently, exude a timeless quality of devotion, where man—insignificant compared to the vast reaches of the cathedral space—is brought to feel the immensity of the divine.
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