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Artwork of the Week

'Kéyah' by Eugene Tapahe

Artwork of the Week: January 27

Keyah, Eugene Tapahe
Eugene Tapahe, ‘Kéyah,’ 2025. Mixed Media Installation. 30 x 72 x 336 inches. Courtesy of the Artist.

Eight brightly lit tables rest at the center of our most recent exhibition, Kéyah: Our Home. This central installation artwork in the gallery, titled Kéyah, was assembled by contemporary Diné (Navajo) artist Eugene Tapahe. It features different soil samples, projections, and soft audio recordings to amplify the minimalist and immersive nature of the installation. Inspired by his ancestors and their connections to the Southwestern United States, Tapahe seeks to build bridges between peoples, places, and communities of the region through his artwork.

The title of this work is the Diné word for homeland, but does not exclusively represent Tapahe’s own physical and spiritual connection to Mother Earth. Rather, the installation is a collaboration between the artist and local individuals interested in participating in this representation of Home. Carefully collected soil samples from places that have significance to individuals throughout the United States and Canada are sent to Tapahe for processing and cleansing before being incorporated into the artwork. The artist encourages contributors submitting soil to research and acknowledge the Indigenous caretakers of the land. In seeking to include soil samples from beyond his Diné homeland, Tapahe favors a greater understanding of overall human unity and connectivity in the world through this mixed media installation.

 

Come experience Kéyah: Our Home until April 26th, 2025, and even submit a soil sample of your own for Tapahe’s future projects.

Past Artworks of the Week

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Artwork of the Week: 'Waiting' By Rose Hartwell

April 20, 2026
This painting’s enigmatic title is a perfect fit for its intriguing subject, where an unknown woman dressed in black sits with her hands in her lap, her eyes seemingly focused on nothing. What is she waiting for? Perhaps she waits for a family member or friend to pay her a visit. Given the woman’s attire and the painting’s somber tone, whether knowingly or not, she also seems to be waiting for death. We will likely never know what Rose Hartwell intended this painting to mean, so we too are left waiting to know this woman’s story.
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Artwork of the Week: 'French Landscape Near Paris' By John Henri Moser

April 13, 2026
Painted while Moser was studying art in Paris, this painting lacks the bold color and loose brushwork that came to dominate the artist’s style when he returned to Utah. In Paris, he was surrounded not only by academic tradition, but by modern art’s many new aesthetic possibilities. Judging from his mature style, he was observing much during this time, even though his own output remained relatively conservative. This painting, and others of the time, show the influence of the Barbizon School of landscape painting, an influential nineteenth-century movement that emphasized painting outdoors.
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Artwork of the Week: 'Collonade of Lights' By Max Thalmann

April 06, 2026
Thalmann evokes the notion of communion in a series of prints of worshippers within dramatic cathedral interiors. His strong lines and contrast of deep pools of shadow with bold spaces of radiant light conveys the reverence and anticipatory sublime of a worship experience. The cathedral, with its Gothic-style archways, and hooded bowed forms moving silently, exude a timeless quality of devotion, where man—insignificant compared to the vast reaches of the cathedral space—is brought to feel the immensity of the divine.
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