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Artwork of the Week

'Spring' by Anna Mary Robertson Moses

Artwork of the Week: April 21

SPRING
Anna Mary Robertson Moses (1860-1961), ‘Spring,’ 1943, tempera on board, 15 X 22 inches. Brigham Young University Museum of Art, gift of Dr. Robinson and Dr. Kindred, 1974.

“What a strange thing is memory is. Memory is history recorded in our brain, memory is a painter, it paints pictures of the past and of the day...life is what we make it, always has been, always will be.”

- Grandma Moses, My Life’s History

Beloved artist Anna Mary Robertson Moses, spent much of her life creating. As a young mother of five, she spent what little free time she had entertaining her family with cross stitches of idyllic scenes of the Virginia and New York countrysides where she lived. Her work was consistently infused with colors and patterns similar to that of textiles, often reflecting the stories and places of her own life. At age 80, when her arthritic hands were unable to cross stitch any longer, she confidently took up painting. With the art world moving towards Abstract Expressionism, she maintained a “folk art” style which for many expressed a more traditional America. Her widely acclaimed works soon attracted the attention of Hallmark, which acquired the rights to reproduce her paintings on greeting cards, quickly making “Grandma Moses” a household name.

Grandma Moses's artwork was deeply influenced by her life experiences. Yet, her paintings never seem to carry a negative tone, despite the challenges she had to endure as a tenant farmer. This remained true to the tradition of “memory painters,” an art movement primarily focused on memory, nostalgia and simplicity over harsh realism. The lighter tone of memory painting is evident in this painting as a young boy stands with his fishing net near the water’s edge. Cows watch from the other side, among the calm water and the green trees.

Past Artworks of the Week

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'Figure of Count Bruhl's Tailor' (Unknown Artist)

May 04, 2026
Artwork of the Week: May 4
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Artwork of the Week: 'Round Dance' By Maynard Dixon

April 28, 2026
Dixon loved and respected the indigenous people who often appeared in his paintings. He was inspired by their physical resilience as well as by the spiritual knowledge he believed that they drew from their relationship with the land. At times, they invited him to witness some of their sacred ceremonies, and he believed his role as an artist put him in a unique position to explore these sacred rites. Dixon allowed his imagination to edit and augment the things he saw when visiting with the Hopi and Navajo peoples and acknowledged that others might not see this world as he was presenting it.
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Artwork of the Week: 'Waiting' By Rose Hartwell

April 20, 2026
This painting’s enigmatic title is a perfect fit for its intriguing subject, where an unknown woman dressed in black sits with her hands in her lap, her eyes seemingly focused on nothing. What is she waiting for? Perhaps she waits for a family member or friend to pay her a visit. Given the woman’s attire and the painting’s somber tone, whether knowingly or not, she also seems to be waiting for death. We will likely never know what Rose Hartwell intended this painting to mean, so we too are left waiting to know this woman’s story.
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