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Artwork of the Week

'Burning of the Temple' by C.C.A. Christensen

Artwork of the Week: May 13

'Burning of the Temple,' by C.C.A. Christensen (1831-1912)
C.C.A. Christensen (1831-1912), 'Burning of the Temple,' c.1878, tempera on muslin, 78 x 114 inches. Brigham Young University Museum of Art, gift of the grandchildren of C.C.A. Christensen, 1970. This work is featured in the exhibition ‘From the Vault.’

Danish-American artist C.C.A. Christenson is known for capturing the early history of The Church of Jesus Christ of Latter-day Saints in his art. In this painting, Christensen depicts a tragic event from October 9, 1848. At about three o'clock in the morning, an arsonist set the Nauvoo Temple on fire as a message to the Saints that they did not belong in Illinois. As described in a local newspaper, “The fire presented a most sublime spectacle. It commenced in the copula, and as the flames shot up in the sky, they threw a lurid glare into the surrounding darkness. Great volumes of smoke and flame burst from the windows, and the crash of falling timbers was distinctly heard on the opposite side of the river.” In Burning of the Temple, Christensen visualizes the incident, with red flames consuming the temple against the dark sky. Although he was not physically present that night, Christensen’s painting conveys the intense emotion and terror associated with watching a sacred place burn.

Past Artworks of the Week

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Artwork of the Week: 'Waiting' By Rose Hartwell

April 20, 2026
This painting’s enigmatic title is a perfect fit for its intriguing subject, where an unknown woman dressed in black sits with her hands in her lap, her eyes seemingly focused on nothing. What is she waiting for? Perhaps she waits for a family member or friend to pay her a visit. Given the woman’s attire and the painting’s somber tone, whether knowingly or not, she also seems to be waiting for death. We will likely never know what Rose Hartwell intended this painting to mean, so we too are left waiting to know this woman’s story.
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Artwork of the Week: 'French Landscape Near Paris' By John Henri Moser

April 13, 2026
Painted while Moser was studying art in Paris, this painting lacks the bold color and loose brushwork that came to dominate the artist’s style when he returned to Utah. In Paris, he was surrounded not only by academic tradition, but by modern art’s many new aesthetic possibilities. Judging from his mature style, he was observing much during this time, even though his own output remained relatively conservative. This painting, and others of the time, show the influence of the Barbizon School of landscape painting, an influential nineteenth-century movement that emphasized painting outdoors.
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Artwork of the Week: 'Collonade of Lights' By Max Thalmann

April 06, 2026
Thalmann evokes the notion of communion in a series of prints of worshippers within dramatic cathedral interiors. His strong lines and contrast of deep pools of shadow with bold spaces of radiant light conveys the reverence and anticipatory sublime of a worship experience. The cathedral, with its Gothic-style archways, and hooded bowed forms moving silently, exude a timeless quality of devotion, where man—insignificant compared to the vast reaches of the cathedral space—is brought to feel the immensity of the divine.
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