MEET MIMI CHEN TING
THE ONE-OF-A-KIND ARTIST WHO WENT DANCING WITH COLOR
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Current Exhibitions
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Gilded Paradise
Recasting Lorenzo Ghiberti's Baptistery Doors
Open through October 24, 2026
Open through October 24, 2026
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Crossing the Divide
American Art from the Permanent Collection
Open through 2029
Open through 2029
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Earthbound and Heavenward
The Sacred Art of Discipleship
Open now through September 30, 2028
Open now through September 30, 2028
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The Way of the Cross
A Series by David Habben
Open through August 22, 2026
Open through August 22, 2026
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Live Typewriter Poetry
7:00 PM - 9:00 PM
Monday, April 13
Visit 'Earthbound and Heavenward' and receive a custom poem about an artwork of your choice!
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'From Painting to Performance': A Gallery Talk with Miri Kim
12:10 PM - 12:40 PM
Wednesday, April 15
Make an Easter Pilgrimage with MOA Curator Maddie Blonquist!
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'Heroines of the MOA': A Women's Conference Gallery Talk
2:00 PM - 2:30 PM
Friday, May 01
Celebrate Women's Conference with us with a Gallery Talk featuring many of the women artists featured in the MOA Collection.
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MOA Blog
News & Updates on the Museum & its Collection
Artwork of the Week: 'French Landscape Near Paris' By John Henri Moser
Painted while Moser was studying art in Paris, this painting lacks the bold color and loose brushwork that came to dominate the artist’s style when he returned to Utah. In Paris, he was surrounded not only by academic tradition, but by modern art’s many new aesthetic possibilities. Judging from his mature style, he was observing much during this time, even though his own output remained relatively conservative. This painting, and others of the time, show the influence of the Barbizon School of landscape painting, an influential nineteenth-century movement that emphasized painting outdoors.
Press Release: 'Mimi Chen Ting'
'Mimi Chen Ting' Retrospective Debuts at BYU Museum of Art
Artwork of the Week: 'Collonade of Lights' By Max Thalmann
Thalmann evokes the notion of communion in a series of prints of worshippers within dramatic cathedral interiors. His strong lines and contrast of deep pools of shadow with bold spaces of radiant light conveys the reverence and anticipatory sublime of a worship experience. The cathedral, with its Gothic-style archways, and hooded bowed forms moving silently, exude a timeless quality of devotion, where man—insignificant compared to the vast reaches of the cathedral space—is brought to feel the immensity of the divine.