Artwork of the Week
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'Susaki Jūmantsubo Plain near Fukagawa' by Utagawa Hiroshige
Artwork of the Week: August 5, 2024
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'Veda's Bibles 5/14' by Veda Epling with Harrell Fletcher
Artwork of the Week: July 22, 2024
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'Great White Throne' by Phillip Henry Barkdull
Artwork of the Week: June 24, 2024
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Artwork of the Week: After the Bath
After the Bath, as the Hispanic Society of American argues, is “without doubt one of Sorolla’s most magnificent and memorable works.”
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![Bransby[58].png](https://brightspotcdn.byu.edu/dims4/default/67207f1/2147483647/strip/true/crop/581x436+0+0/resize/400x300!/quality/90/?url=https%3A%2F%2Fbrigham-young-brightspot-us-east-2.s3.us-east-2.amazonaws.com%2F84%2Fc7%2Ff149e59d4947842fa8649b2dc07a%2Fbransby58.png)
Artwork of the Week: Joseph Smith Triptych
On December 3, 1958, the Gold Y Chapter of the Intercollegiate Knights, a National Honorary Service Fraternity at BYU, presented this triptych to the University.
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Artwork of the Week: John the Baptist
At first glance, the abstract imagery of this work may appear unfamiliar to those unaccustomed to its sacred language. However, for Russian Orthodox Christians, this icon is a beautiful invitation to meditate on sacred doctrine.
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Artwork of the Week: Bride and Her Mirror Image
Muriel Magenta is a New Genre artist who works with installation, multimedia performance, video, and sculpture. Using an array of technologies and tools to create hybrid works, Magenta explores the interaction of media and audience.
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Artwork of the Week: Boxelder Tree in Autumn
Florence Ware was an accomplished mural artist and Utah native. Born to artist parents, she obtained her B.F.A. at the University of Utah before studying at the Art Institute of Chicago.
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Artwork of the Week: Les Rameaux (Christ Entering Jerusalem)
Yesterday marked the Orthodox Christian celebration of Palm Sunday, the day in which Christ the Savior entered Jerusalem for the last time before His crucifixion.
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Artwork of the Week: Louis Comfort Tiffany
This informal portrait of Louis Comfort Tiffany, President of Tiffany Studios and the son of the founder of Tiffany & Co., reflects both the artist’s skill at depicting light, and the attitudes of the wealthy in early twentieth-century America.
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